I was perusing my local library this afternoon, looking for ways to satisfy my new-found thirst for the artists of the Beat Generation, when I stumbled upon the book The Dream Songs by John Berryman. This piece stood out to me, in particular, and as I am as much an auditory beast as a visual, I was excited to find a clip of him reading his work aloud.
Dream Song 29 by John Berryman
There sat down, once, a thing on Henry’s heart
so heavy, if he had a hundred years
& more, & weeping, sleepless, in all them time
Henry could not make good.
Starts again always in Henry’s ears
the little cough somewhere, an odour, a chime.
And there is another thing he has in mind
like a grave Sienese face a thousand years
would fail to blur the still profiled reproach of. Ghastly,
with open eyes, he attends, blind.
All the bells say: too late. This is not for tears;
thinking.
But never did Henry, as thought he did,
end anyone and hacks her body up
and hide the pieces, where they may be found.
He knows: he went over everyone, & nobody’s missing.
Often he reckons, in the dawn, them up.
Nobody is ever missing.
In one of my fits of insomnia, I stumbled upon this list of “beliefs and techniques” for the modern writer as outlined by Jack Kerouac. While you may not be the biggest fan of Kerouac, in general, at least scan through the list and see if anything piques your interest. Some of the tidbits are miraculous (no. 19 is a personal favorite), while others leave you scratching your head (for example, what in Hell is a “dumbsaint”?). Some of these pieces of advice, I think, may be as well applied to one’s own life as to one’s writing.